Babloom taarab

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Babloom taarab

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Katika miaka ya 50 wanawake tisa wa Tanga walijikusanya na kuanzisha wakaanzisha kikundi cha kuimba walichokiita Raha til Fuad maana yake Raha ya Moyo. Akina mama hawa chini ya bibie aliyeitwa Mama Akida au aka Mama Lodi, waliendesha kikundi chao wakiwa wanaimba nyimbo za Siti Binti Sadi na tungo zao ambazo waliimba katika melody ya nyimbo za kihindi zilizotamba wakati huo. Kundi hili liliendelea na kuanza kuruhusu wanaume kujiunga hasa wakiwa wapiga vyombo.

Hata mtoto wa Mama Akida, Akida Jumbe hatimaye alijiunga na kundi hili kama mpiga accordion kwenye mwaka Kundi hili ambalo baadae lilikuja kuitwa Young Noverty,liliendelea mpaka kukaweko na mgawanyiko uliozaa kundi la Shaabab Al Waatan. Hapa ndipo kukaanza mtindo wa kuweko kundi pinzani jambo ambalo kwa njia ya ajabu sana limekuwa linadumu kiasi cha miaka kumi kumi. Taarab ya Tanga ndo haswa inastahili kuitwa modern Taarab, kwani wao hawkufuata taarab ile iliyoletwa Zanzibar enzi ya Sultan Seyyid Barghash, kundi la taarab hii lilikuwa dogo na vyombo vyake vilikuwa pamoja na Gitaa la besi, gitaa la solo, drums bongos ,akodion au kinanda.

Nyimbo zao zilikuwa fupi na si ndefu kama za Kizanzibari. Na Taarab ya Tanga ndio iliyoanzisha moto wa vikundi vya taarab Tanzania Bara. About jfk Soratemplates is a blogger resources site is a provider of high quality blogger template with premium looking layout and robust design.

The main mission of templatesyard is to provide the best quality blogger templates. Huyo jamaa alikuwa anakigonga kinanda sio Masikhara akiwa Msondo enzi za akina Lusungu. Alikuwa akikizimua sio mchezo. Ukitaka kujua kuhakiki umahiri wa Waziri Ally sikiliza wimbo wa msondo utunzi wa Belesa kakere enzi hizo unaitwa Sogea karibu.

Kwa wakati ulitokea mgomo wa wapuliza sax na trumpet. Na kama kawaida walio baki wakajipanga na kilichofuatia pale ni Waziri kupewa jukumu la kuziba pengo lile kwa organ ya yamaha. Hebu Kitime muombe waziri atupatie taswira zake alipokuwa msondo na kinanda chake cha kanisani.

Post a Comment. Wanamuziki Tanzania. Jukwaa la wapenzi wa mambo ya muziki wa Tanzania. Taarab ya Tanga.

babloom taarab

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Sikujua kama utabadilika - Simba wa Nyika.Kitine wewe nihazina, maana habari kama hizi tungezipata wapi, jamani blog zinasaidia na hasa za watu kama hawa ambao wanatupa vitu vyenye kujenga, kuelimisha na kutukumbusha, Tupo pamoja mkuu.

Kitine kazi yako ni nzuri sana. Ombi langu ni kuwa; makala hizi ziambatane na nyimbo zao. Watu wanatoka mbali! Chapisha Maoni. Jumanne, 10 Julai Tanga Taarab, waanzilishi halisi wa modern Taarab. Akina mama hawa chini ya bibie aliyeitwa Mama Akida au aka Mama Lodi, waliendesha kikundi chao wakiwa wanaimba nyimbo za Siti Binti Sadi na tungo zao ambazo waliimba katika melody ya nyimbo za kihindi zilizotamba wakati huo.

Kundi hili liliendelea na kuanza kuruhusu wanaume kujiunga hasa wakiwa wapiga vyombo, akiwemo mtoto wa Mama Akida, Akida Jumbe hatimaye alijiunga na kundi hili kama mpiga accordion kwenye mwaka Kundi hili ambalo baadae lilikuja kuitwa Young Noverty, liliendelea mpaka kukaweko na mgawanyiko uliozaa kundi la Shaabab Al Waatan.

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Hapa ndipo kukaanza mtindo wa kuweko kundi pinzani jambo ambalo kwa njia ya ajabu sana likawa linadumu kiasi cha miaka kumi kumi. Na Taarab ya Tanga ndio iliyoanzisha moto wa vikundi vya taarab Tanzania Bara. Maoni 3 :. Chapisho Jipya Taarifa za zamani Nyumbani.

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Jisajili kwenye: Chapisha Maoni Atom.Taarab pia: tarabutaarabu ni aina ya muziki ya Afrika ya Mashariki yenye asili yake katika utamaduni wa Waswahili. Taarab ni muziki wa Waafrika wa pwani uliopokea athira kutoka tamaduni nyingi, hasa muziki wa Waarabu na Wahindi. Kimsingi ni uimbaji wa mashairi unaofuata muziki wa bendi. Bendi hizi hutofautiana kieneo: katika taarab ya Unguja vinanda vya kulingana na tarab za Kiarabu hupendelewa; katika taarabu ya Mombasa aina za ngoma ni muhimu; katika taarab ya Tanga gitaa inapendwa.

Siku hizi vyombo vya kisasa vimetumiwa pia. Neno "taarab" laaminiwa lina asili katika Unguja ambako mnamo Sultani Sayyid Bargash alialika kundi la wanamuziki kutoka Misri kuja Zanzibar walioleta uimbaji wao aina ya "tarab". Alipopenda muziki huu sultani alimtuma Mzanzibari Mohammed bin Ibrahim kwenda Misri ajifunze vyombo vya huku. Mohammed aliporudi alikuwa mwanashairi wa Sultani akaendelea kuwafundisha marafiki vinanda vyake.

Pamoja waliunda kundi la Nadi Ikhwani Safaa linalosemekana ni bendi ya kwanza iliyotumia jina la "taarab". Kundi limeendelea hadi leo na kujulikana sasa kwa jina la "Malindi Taarab" [2]. Hata hivyo muziki wa Waswahili unaojulikana leo kwa jina la taarab lina asili ya kale kushinda jina hilo ambalo ni kawaida siku hizi. Kuna kumbukumbu kutoka Lamu ya muziki iliyoitwa "kinanda" iliyounganisha uimbaji pamoja na chombo cha kibangala na ngoma ndogo na waimbaji wake walihamia Zanzibar wakaitwa "taarabu" huko.

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Katika utamaduni wa Waswahili taarab ilikuwa utamaduni wa pekee kwa sababu ilikuwa mahali pekee ambapo wanawake walifika kwenye jukwaa pamoja na wanaume na kuimba.

Kwa sababu hiyo taarab imepingwa mara kwa mara na viongozi wa dini walioona aina kadhaa za taarab ni haramuhazilingani na masharti ya Uislamuhasa wakati wa mwezi wa Ramadhani na kama watu wanaanza kucheza. Miaka ya nyuma muziki wa taarab umesambaa hata baraninje ya utamaduni wa Waswahili: unavuta wasikilizaji katika miji mikubwa kote Afrika ya Mashariki hadi Burundi na Rwanda.

Bendi mbalimbali zimeingiza vyombo vya kisasa vya muziki katika mtindo wao kama vile keyboard na gitaa ya umeme. Katika miaka ya wanawake tisa wa Tanga walijikusanya na kuanzisha kikundi cha kuimba walichokiita Raha til Fuad maana yake Raha ya Moyo.

Taarab ya Tanga

Akina mama hawa chini ya bibie aliyeitwa Mama Akida au aka Mama Lodi, waliendesha kikundi chao wakiwa wanaimba nyimbo za Siti Binti Sadi na tungo zao ambazo waliimba katika melody ya nyimbo za Kihindi zilizotamba wakati huo. Kundi hili liliendelea na kuanza kuruhusu wanaume kujiunga hasa wakiwa wapiga vyombo, akiwemo mtoto wa Mama Akida, Akida Jumbe hatimaye alijiunga na kundi hili kama mpiga accordion kwenye mwaka Kundi hili ambalo baadaye lilikuja kuitwa Young Novertyliliendelea mpaka kukaweko na mgawanyiko uliozaa kundi la Shaabab Al Waatan.

Hapa ndipo kukaanza mtindo wa kuweko kundi pinzani jambo ambalo kwa njia ya ajabu sana likawa linadumu kiasi cha miaka kumi kumi. Taarab ya Tanga ndo haswa inastahili kuitwa modern Taarab, kwani wao hawakufuata taarab ile iliyoletwa Zanzibar enzi ya Sultan Seyyid Barghashmakundi la taarab ya Tanga yalikuwa madogo na vyombo vyake vilikuwa pamoja na Gitaa la besi, gitaa la solo, drums bongos, akodion au kinanda, nyimbo zao zilikuwa fupi na si ndefu kama za Kizanzibari.

Nyimbo zilitegemea mipigo ya ngoma za asili za kumbwaya na chakacha na hata baadaye mitindo kama rumba, bossa nova ilitumika kama mapigo. Na Taarab ya Tanga ndio iliyoanzisha moto wa vikundi vya taarab Tanzania Bara.A repository for articles on all aspects of music and culture and a few musings. Post a Comment. Subscribe in a reader.

babloom taarab

Banning Eyre. Kelly Askew. It's a pleasure to be here. I attended a school for the performing arts in California, where I grew up, in Los Angeles, and continued on in college as a music major at Yale University.

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But I also discovered in college anthropology, and discovered I had a second love in life, and decided to find a way in which I could merge my two interests. Hence ethnomusicology, which became my application. Map of East African trade routes Eyre B. Originally, I thought I was headed towards India. But I discovered that the Swahili program was too good to pass up, and that there are Indians in East Africa as well.

So I thought my original project was to study Indian music in East Africa, and try to see whether there was any sort of interesting hybrid stuff going on there, only to discover when I first went to Africa as a Junior in college for a summer project, that the Indian community is very purist about their music.

They import the musicians for their events, and music is one of the ways that they maintain their separateness as a community. So what was more interesting to me was taarab music, which I discovered on that same trip in So this is Swahili coastal music, but very, very welcoming of any kind of musical influences from anywhere abroad, including the West, India, and the Middle East. It's very much an amalgam of all these different musical traditions.

The music was a little hard to get used to at first. Just because of the different aesthetics, and the preparation that I had as a classical pianist. The melodic structures were quite different. Of course, the rhythmic structures were different. Everything was different about it. The quality, the voice, the timbre. All of that were things I had to get used to.

But once I did, I fell in love with it. And 18 years later, I am still working on it. The word itself means "to move the heart. When you speak about any form of Middle Eastern music, we can talk about it as having evoked taarab in them, or being a great example of taarab.

But when we speak about taarab in East Africa, we are speaking about a very specific form of sung, Swahili poetry, that emerged… at some point in the 19th century, and became very, very popular in the 20th century, early 20th-century and into the late 20th century.

Excellent double CD of taarab and kidumbak music B. Help us put East African taarab in a historical context.Audio Programs Articles Donate About. Hip Deep programs build on the techniques and format developed for Afropop Worldwide, but are enhanced by rigorous academic and field research that translates into higher production values.

Every episode of Hip Deep actively involves leading humanities scholars to illuminate a wealth of history, culture, politics, ethnic and spiritual contexts. All Artists A. Afile Dr. Hip Deep April 16, Hip Deep February 20, Recent Hip Deep Articles.

Interviews September 27, Features September 13, Feature: Music and Nation in Angola. Blog September 12, Spirit of Angola: Dustrise. Hip Deep October 31, This program will initiate listeners into one of the most enchanting and mysterious musical practices in Africa, BaAka people music. Hip Deep October 24, Hip Deep in Madagascar: Songs of the North.

Hip Deep October 3, Hip Deep September 26, Hip Deep August 22, Hip Deep July 25, Hip Deep July 11, Hip Deep February 14, An Island, Divided. Hip Deep December 27, Lebanon 2: Diasporas. Hip Deep November 1, Hip Deep September 20, Music and History in The Two Sudans.

Hip Deep September 13, Hip Deep in Northern Nigeria.

babloom taarab

Hip Deep September 6, Hip Deep In the Niger Delta. Hip Deep August 2, Hip Deep June 14, The Nature of Trance. Hip Deep May 10, University of Chicago Press Bolero Ozon. Kelly AskewProfessor Kelly Askew. Since its founding inthe United Republic of Tanzania has used music, dance, and other cultural productions as ways of imagining and legitimizing the new nation.

Focusing on the politics surrounding Swahili musical performance, Kelly Askew demonstrates the crucial role of popular culture in Tanzania's colonial and postcolonial history. As Askew shows, the genres of ngoma traditional dancedansi urban jazzand taarab sung Swahili poetry have played prominent parts in official articulations of "Tanzanian National Culture" over the years. Drawing on over a decade of research, including extensive experience as a taarab and dansi performer, Askew explores the intimate relations among musical practice, political ideology, and economic change.

She reveals the processes and agents involved in the creation of Tanzania's national culture, from government elites to local musicians, poets, wedding participants, and traffic police.

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Throughout, Askew focuses on performance itself—musical and otherwise—as key to understanding both nation-building and interpersonal power dynamics. Glossary of Swahili Terms. Alphabetical Song Index.

She is the coeditor of The Anthropology of Media: A Reader and associate producer of the four-part documentary series Rhythms from Africa.Taarabt then moved to Queens Park Rangers on loan in July He was signed permanently in August and quickly established himself at Loftus Road. QPR were relegated in and in the ensuing summer, Taarabt moved to Fulham on loan.

After another loan to A. Milan in Italy, Taarabt signed a long-term deal with Primeira Liga club Benfica inwho loaned him out to Italian side Genoa two years later. Taarabt made his Morocco debut in Februaryand scored his first international goal the following month.

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He represented the country at the Africa Cup of Nations. Taarabt was born in FezMorocco. He made one first team appearance for Lens during the —07 season.

Taarabt signed for Tottenham Hotspur on a long-term loan on 2 January after the club offered to integrate him quickly into the first team to offer him maximum playing time. Tottenham signed Taarabt permanently on 8 June. He made his first of six appearances in the —08 season against Derby County in the 4—0 win on 18 August, entering the 71st minute for Wayne Routledge.

At the beginning of the —09 seasonTaarabt was among a group of players not given a squad number by then manager Juande Ramosand also banned from the first-team training ground. He collected the ball on his chest inside the QPR half, dribbled 20 yards past three players and curled in a shot from 25 yards.

This led Jim Magilton to label Taarabt as a "genius" and the goal is seen as one of the Championship's finest. Tottenham confirmed in October that Taarabt could stay at QPR for the season providing that a Premier League club did not make a bid for him in the January transfer window.

Taarab ya Tanga

In MarchTaarabt was quoted in an interview as being sorry he had signed for Tottenham, saying, "The big mistake was to sign for Tottenham and not go to another club when I first came over. I have contact with good teams and I know that they want me. Now I just have to hope they can agree a deal with Tottenham. He was at Arsenal then.

But, when I was going to go to Arsenal, he moved to Tottenham. He told me: 'Come to Tottenham. We want to do like they do at Arsenal and take the best young players in the world. You're going to have a better chance there. This was a mistake and I regret it. Tottenham tried to do it like Arsenal but it's a different culture.

I would have had a better chance at Arsenal. He is a legend in France, one of the best managers in the world. His move was proved to be one of the bargains of the season as Taarabt scored 19 goals in 44 league appearances that season for the West London club. With his unpredictable skill and reputation for never giving the opposition defence an easy 90 minutes, Taarabt went on to win the Championship Player of the Year award and gained a place in the Championship's best XI, which also featured teammate Paddy Kenny.

In MarchTaarabt missed two matches when he returned to France for family matters as one of his cousins had been killed by Algerians. In the international Morocco—Algeria match, Taarabt picked up a booking and was lucky not to be sent off.

In the return fixture Morocco manager Erik Gerets opted to drop Taarabt to the substitutes' bench.


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